It's certainly taken a while, but I finished that next round of edits on Web Of Deceit, sent it back, and heard last week that it all works! I'm so pleased :) Authors get so close to their stories, it can be hard to know if it's coming together as it should, so I'm always thrilled to hear from the editors that it is. Last week I went to Port Macquarie Library for a workshop and talk. I had a marvellous time with Karen, the president of the Friends of the Library group who organised the day, and as we had some time to kill she took me on a quick tour of the town. One stop we made was at the Koala Hospital, the only one of its kind in the world, where injured and sick wild koalas are nursed back to health then released. Some are too badly hurt to survive in the wild so they become permanent additions to the Hospital family. One koala in particular caught my eye and I'm pleased to say I've 'adopted' her :) Readers, meet Oxley Kaylee! She was a repeat visitor at the Hospital before injuries meant the staff had to amputate one of her hind legs, but now is thriving. You can read more about her and the other koalas on the Hospital's website here. The workshop and talk went wonderfully - what wonderful groups of aspiring writers, and readers! Thank you to all the library staff, to the Friends of the Library, to Roz and Belinda of the Book Warehouse, and to everyone who came along. Going back in time now, we had a fantastic time in the States in July. A few highlights were a day trip to the Hamptons, an amazing food and culture tour in Nolita and Noho, and of course Thrillerfest. I attended a number of panels as an audience member, then took part in one with the lovely Meg Gardiner, the charming and funny Catherine Coulter, the very suave Phillip Margolin, the delightful Andrea Kane and the equally delightful Sandra Brannan, and cool ex-Navy dude Grant Blackwood. All these authors are very highly regarded in the US and between them have about a thousand NYT bestsellers, so I felt quite the strangely-accented odd person for a while! but they were all very welcoming. The room was jam-packed for our panel and we talked up a storm about creating and building suspense, and it was lovely that for the rest of the day people came up to tell me how much they'd enjoyed it. While at Thrillerfest I taped an interview with Claire Lamb, the editor of Books To Die For, the anthology of essays by crime writers about their favourite crime novels. Have a look: You can tell how much I love the work of James Lee Burke, so it won't be hard to imagine my delight when I received an email from the man himself. He'd read my piece and wrote to tell me how much he appreciated it. It brought tears to my eyes, and I printed the email and stuck it on the wall above my desk. You can see some of the other authors from the anthology talking about their chosen books here. All in all, we had a terrific trip, and New York is certainly a place I'd love to visit again. Back here at home, the start of the Year of the Edit class has been delayed until September, so there's still time to sign up! Click here to find out more. And the Brisbane Writers Festival is on next week, from 5-9th September. What a feast of a line-up they have this year! I'll be speaking in the free Writer's Lounge on Saturday, 8 September, from 2:30pm - 3:30pm, in the Level 2 Reference Library - come along and have a chat! - and am keenly eyeing the programme to decide what I'll do on the other days. More info is here. And now that Web of Deceit is almost done, it's time to get going on book 7. I came up with the idea for the story while flying from LA to NY on the night of Saturday 7th July. As it grew dark we could see the lights of the towns and cities down below, and the countless fireworks being set off for Fourth of July celebrations. It has nothing to do with the plot, but it was wonderful to watch those displays from so high up, one after another, right across the country. Until next time, happy reading! cheers, Katherine. I'm thrilled to be able to tell you that I'm going to be in this anthology alongside some of the biggest names in the business: Lee Child, Michael Robotham, Meg Gardiner, Dennis Lehane, Elmore Leonard, and Karin Slaughter, just to name a few. The book is edited by two other great crime authors, John Connolly and Declan Burke. So what's it about? Here's the blurb from the book's website: "BOOKS TO DIE FOR is a unique, must-have anthology for any fan of the mystery genre, featuring personal essays from 120 of the world’s most beloved and renowned crime writers on the mysteries and thrillers that they most admire, edited by two of their own—John Connolly and Declan Burke. Tana French on The Secret History by Donna Tartt; Jo Nesbø on Jim Thompson’s Pop. 1280; Kathy Reichs on The Silence of the Lambs by Thomas Harris; Michael Connelly on Raymond Chandler’s The Little Sister, and Charlaine Harris on Geoffrey Household’s Rogue Male: these are just a few of the 120 internationally bestselling mystery writers showcased in this collection—a book every reader of crime fiction should own. In the most ambitious anthology of its kind ever compiled, each author pays a deeply personal tribute to one mystery that means the most to them, explaining why that book affects them and how it has influenced their own work. This collection presents a treasure trove of works in the mystery genre by the people who know it best, and is an essential guide for all readers and writers." I was delighted to be able to write about one of my favourite crime author's books--but I'm not going to tell you yet who or what that is! The anthology will be released worldwide in August, and until then Connolly and Burke will be posting updates on the website so you can find out more about who's involved and what books they've written about. I'm also working on a piece for an Australian anthology ... but more about that later in the year. On the novel front, I sent 'Web of Deceit' back to the editor earlier this month and am pleased to say it got big ticks all round. It's now gone to the copy editor, the delightful Nicola O'Shea, with whom I've had the pleasure of working many times before (I think for every one of my books), and I look forward to getting the manuscript back again in August. Meantime I'm head down on my uni work, musing on ideas for book 7, and looking forward LIKE YOU WOULD NOT BELIEVE - actually, you probably would - to going to the USA in two weeks. LA, New York, San Francisco, here we come! And while in New York I'll be speaking at Thrillerfest - the panel I'm on is called 'HOW DO YOU CREATE SUSPENSE ON EVERY PAGE?' and is headed by Meg Gardiner. It's on Saturday July 14 from 10:30-11:20 am with a signing from 11:30-12:00 pm. If you're around, come up and say hi! This Saturday is the final workshop with the current Year of the Edit group. Just like the group I taught last year, this was a great bunch of people! I've thoroughly enjoyed the time we've spent together and from the sound of things they've found the course inspiring and helpful. I'm pleased to be teaching the course again later this year, so if you are in or around Brisbane and have a manuscript you want to fix but aren't sure how, click on through to the Queensland Writers Centre website and sign yourself up! There are a couple of other events coming up - I'll be visiting Port Macquarie in August, and at the Brisbane Writers Festival in September, but will post more info on those later. For now, happy reading, and I look forward to reporting back after my encounter with The Big Apple! cheers, Katherine. It's Saturday morning one week into 2012, rain is falling gently outside, and I've just signed up to attend Thrillerfest in New York in July. Woohoo! I've been to Europe a few times before but never to the US, and to be going to New York particularly just thrills me. Thrillerfest is a fabulous annual festival featuring some of the biggest names in crime and thriller writing: stars this year include Karin Slaughter, James Patterson, Mary Higgins Clark and the one and only Lee Child. It's run by the International Thriller Writers, an organisation of which I'm a member, and goes for four days. The first two days are allotted to Craftfest, a series of workshops and talks in which some of the world's bestselling authors share their writing secrets, and Agentfest, a session where aspiring authors pitch their work to agents. I'm going along to Craftfest, because you should always grab the chance to learn from others, and the panel days, and can't wait! I can tell it's going to be a long six months.
The other great US news is that all my work will soon be available there as ebooks! They'll be up on Amazon first, and should be there any day now. I'll post again when I hear for sure, or if you are in the US and download one, I'd be grateful if you could let me know please :) My author copies of Silent Fear arrived the other day. What a moment that is, opening a box of your new books for the first time! That was the fifth such time for me but it never gets old and I don't mind admitting that I cried. It's such a thrill to hold it at last, and think of all the work that went into it, not only by me but by my wonderful editor Bri and publisher Cate, cover designer Deborah Parry who always does an incredible job, and everyone in Pan Macmillan who helps along the way. I can't wait to see it on the shelves on Feb 1st, and am delighted that Bolinda Audio are releasing it as an audiobook the same day. I have a few tour dates posted now, but there are more to come, including all the events in WA and SA. I'll put them up as soon as I get them. I also post on Facebook, so if you 'like' my page you can find out there if you prefer. I'm looking forward to the start of my next Year Of The Edit class on January 21st. The previous class concluded mid-December and one student said to me, 'forget about a learning curve, this was a straight line upwards!' If you live in or around Brisbane and have a manuscript you'd like some help with editing, I really recommend this class; it teaches skills that help you handle what is often a big unwieldy mass of story and understand what works and what doesn't and why. I certainly wish it had been available back when I was struggling with editing my early novels. More info is here. And now it's back to work for me. I'm charging towards the end of book 6 andhave left our Ella at a particularly precarious moment ... ah the joy of writing fiction! Cheers, Katherine. |
The latest in Katherine's news, plus what she's been reading.
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