Happy new year! 07/01/2012
 
It's Saturday morning one week into 2012, rain is falling gently outside, and I've just signed up to attend Thrillerfest in New York in July. Woohoo! I've been to Europe a few times before but never to the US, and to be going to New York particularly just thrills me. Thrillerfest is a fabulous annual festival featuring some of the biggest names in crime and thriller writing: stars this year include Karin Slaughter, James Patterson, Mary Higgins Clark and the one and only Lee Child. It's run by the International Thriller Writers, an organisation of which I'm a member, and goes for four days. The first two days are allotted to Craftfest, a series of workshops and talks in which some of the world's bestselling authors share their writing secrets, and Agentfest, a session where aspiring authors pitch their work to agents. I'm going along to Craftfest, because you should always grab the chance to learn from others, and the panel days, and can't wait! I can tell it's going to be a long six months.

The other great US news is that all my work will soon be available there as ebooks! They'll be up on Amazon first, and should be there any day now. I'll post again when I hear for sure, or if you are in the US and download one, I'd be grateful if you could let me know please  :)  

My author copies of Silent Fear arrived the other day. What a moment that is, opening a box of your new books for the first time! That was the fifth such time for me but it never gets old and I don't mind admitting that I cried. It's such a thrill to hold it at last, and think of all the work that went into it, not only by me but by my wonderful editor Bri and publisher Cate, cover designer Deborah Parry who always does an incredible job, and everyone in Pan Macmillan who helps along the way. I can't wait to see it on the shelves on Feb 1st, and am delighted that Bolinda Audio are releasing it as an audiobook the same day. I have a few tour dates posted now, but there are more to come, including all the events in WA and SA. I'll put them up as soon as I get them. I also post on Facebook, so if you 'like' my page you can find out there if you prefer.

I'm looking forward to the start of my next Year Of The Edit class on January 21st. The previous class concluded mid-December and one student said to me, 'forget about a learning curve, this was a straight line upwards!' If you live in or around Brisbane and have a manuscript you'd like some help with editing, I really recommend this class; it teaches skills that help you handle what is often a big unwieldy mass of story and understand what works and what doesn't and why. I certainly wish it had been available back when I was struggling with editing my early novels. More info is here.

And now it's back to work for me. I'm charging towards the end of book 6 andhave left our Ella at a particularly precarious moment ... ah the joy of writing fiction!

Cheers,
Katherine.

2 Comments
 
 
Hello everyone!

Well, here we are, a week and a half out from Christmas, two weeks off the end of the year, and six from the release of my new book Silent Fear. Exciting times! I've already done a couple of interviews, and Pan Macmillan publicist Caitlin is madly organising speaking events. Once I get the list I'll post it on the Events page so you can see where I'm going. And I have great news -- Get Reading! has selected it as one of their Guaranteed Good Reads which means the cover will have the gorgeous silver sticker telling you that and our tour which was originally covering only the east coast is now extended to WA and SA as well, so it's even more likely that I might turn up somewhere near you!

In other news, I recently had a post appear on fellow author and friend Ian Irvine's blog. Ian blogs regularly on writing and is a hugely prolific fantasy author too. If you're an aspiring author I highly recommend his 'One-Page Guide to Storytelling' and his series of posts on the 'Truth about Publishing'.

Did you know that 2012 is the National Year of Reading? I'm joining the Australian Women Writers Reading Challenge to celebrate it. This is a brilliant idea by Elizabeth Lhuede who is challenging people to sign up and not only read more but write reviews. I'm signing up as a 'dabbler' (reading and reviewing more than one genre) and aiming for Stella level (reading at least three and reviewing at least two books). I'd like to aim higher and with any luck over the course of the year I'll make it, but with books to edit and write myself it's best not to get too excited! As I said I think this is a brilliant idea and I invite you all to have a look at the site and think about taking part. The reviews don't have to be long and it's fine if you didn't like the book as well. As Elizabeth says, this is about having fun!

Are you on Goodreads? Today I got myself organised and finished setting up my author page there. There are a number of reviews of my books, and as I get into writing my own reviews they'll be posted as well.

This weekend sees the last workshop of my 2011 Year of the Edit class. It's been a fantastic five months for me - I hope the group feels the same way!  Funny how teaching always gives you insight into your own work too.  It starts all over again in January with a brand-new group, and if you live in or near Brisbane and have a novel manuscript you're not sure how to edit, why don't you come and join us? Check out the Learn with Katherine page for more info.

Time to wrap all this up. This is probably my final post for 2011, so I want to wish you all a very happy Christmas, a fun-filled new year's, and a wonderful 2012.

cheers,
Katherine.







3 Comments
 
 
Hi all,
my apologies for not having posted for so long. The closer we come to the end of the year, the faster time flies! But apart from that I've been flat-out writing a journal article for uni, working on book 6, and also reading the final pages of Silent Fear. That's the last step in what can be a six to twelve month-long process of editing - this year it took ten months. It sounds like a long time but it's not when you (a) consider that this book is just one of possibly hundreds that the publisher and editor work on during that time and (b) break the steps of that process down.
            First the editor and publisher read the manuscript I send in, talk it over and write their structural edit report. This focuses on (obviously) the structural problems: whether the clues add up, whether there are timing issues in the plotline, whether there are gaping holes in the story, whether the characters and plot are believable - all those big picture-type things. That takes around four to six weeks, and I get about the same to go over the report and digest the ideas and suggestions, then work over the manuscript, fixing the issues one by one. It can be a big and daunting job, so it's very satisfying to be able to cross each point off the report as I go. Then I send it back in again, the publisher and editor read it once more, and assuming those big problems are fixed they begin their line edit. This looks more closely at the actual writing, hunting down clunky phrasing and awkward sentences, and tightening wherever possible. A third person comes in to help here, a freelance copy-editor, and I'm fortunate to have worked with the same one for a number of books (hi Nicola!). Then the marked-up manuscript comes back to me again, maybe a couple of months later. This year we used track changes and emailed the 460 page document back and forth, which was a little different, as with each previous book it's been done on paper. Apart from the obvious benefit of saving trees, and not having to worry about losing the one and only copy with all our comments on it in the post, I don't know that one way is better than the other: I think whichever method you use, you soon get used to it.
            So I go over this next lot of comments and agree or disagree and make my own changes too. By this point the manuscript is so familiar to me I'm sure it's deadly dull and boring, but I know I go through that stage with every book and I just have to keep working. Then back it goes to the publisher again, the changes are made to the text, then it's typeset onto A4 pages. Now we can see what the pages will look like in the book! These are called final pages, and we all read them again, looking now for things that slipped past everyone's eyes: typos, lay-out issues, and so on. From this point it starts to get expensive to change too much, so unless there are major issues (which there shouldn't be, considering all the work everyone's put in) the changes are limited to tweaks and fixing mistakes. Once these little things are done, the manuscript goes to the printer, and that's where Silent Fear went yesterday.
            You can see where that time goes - a couple of months here, a couple of months there. But now it's just over two months until the book is on the shelves, and I can tell you that's always a highly anticipated moment for any author! There are plans for a bit of a tour along the East Coast, and when I have details of events I'll be sure to post them here.
            But of course between then and now stands book 6! It's coming along really well, and I'm looking forward to the day when I sent it in to my publisher, and the whole process begins once more.
cheers,
Katherine.

ps - Speaking of editing, I'm teaching Year of the Edit again next year at the QLD Writers Centre. If you're interested, hop on over to my 'Learn with Katherine' page and find out more.




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